Broad Ripple Gazette, vol. 8 no. 20

first published in the Broad Ripple Gazette

Benefit Concert for the Stagehands of the Indiana State Fair Tragedy
Sunday, October 2
8 Seconds Saloon
111 North Lynhurst Drive
2:00pm - 11:00pm, 21+, $10

Money raised from this mega-show will benefit the Local 30 Stagehands Memorial Fund. There will be two stages of bands and nine hours of live music– there is something for everyone! Laura Steele and Jimmy Cain will emcee the concert and they have promised a once-in-a-lifetime silent auction as well as several raffles and concert memorabilia for sale.

If you can’t make it to the show, but would like to donate it’s easy as pie! You can go to any Fifth Third bank. Specify the Local 30 Stagehands Memorial Fund.

Here is the epic lineup:

2:00pm Opening Ceremony
2:15pm The 3:1 Blues Revue (Tom Kiefaber, Ranch Wuertz, Joe O'Conell, Nick Neureiter, Jay Stein, Charlie Cheeseman, and Brent Bennett)
4:00pm The Remedies (Mike Oz)
5:00pm The Splendid Trend
5:45pm Minsky Kinks Burlesque Troupe
6:00pm Smoke Ring
7:00pm Why On Earth
8:00pm One-Eyed Dog (Erikk D. Lee)
9:15pm Healing Sixes
10:30pm Threat Level
11:30pm Radio FX
12:30pm Recoil

http://8secondssaloon.com
www.iatse30.org

Carrie Newcomer
Saturday, October 15, 2011
Second Presbyterian Church
7700 N. Meridian Street
7:30, all-ages, non-smoking, $18

I’ve always liked being a waitress. My previous jobs all involved working in a nursing home or hospital, so waitressing was a relative breeze. And no one was going to get hurt if I goofed up a drink order. My first waitressing gig was at the Ground Round in Lafayette. Not only was there a constant supply of popcorn, but also Carrie Newcomer played there every week with her pop-folk group, Stone Soup.

It was awesome having Carrie’s sweet voice as the background to my work, but there was one night that I made the whole band stop in their tracks. The Ground Round was one of those popcorn and peanut baskets on the tables places. It was the early 1980s, in a college town so pitchers of beer were a big seller. One evening I had two pitchers in one hand and six mugs in the other when I slipped. I went down hard on my knees and landed on sharp peanut shells. Just as I was waffling between being proud that I didn’t drop the glass pitchers and mugs and bursting into to tears, I realized that the beer had wooshed straight up out of the pitcher and was raining all over the dining room. The band stopped playing as they ducked for cover and tried to protect their instruments. I might have gotten the biggest round of applause that night.

This is Carrie’s debut of her new CD, Everything is Everywhere. Carrie is a wonderful songwriter, and one of the first musicians I ever heard that fit that title. Her voice is gentle, yet powerful enough to get the emotion of her songs to the audience. You will be totally charmed by her. Promise.

The show will benefit Global Gifts and The Interfaith Hunger Initiative, both worthy causes.

www.carrienewcomer.com
www.interfaithhungerinitiative.org
www.globalgiftsindy.com.

Broad Ripple Music Fest
Saturday, October 15, 2011

I will have the full schedule for Broad Ripple Music Fest in the next issue.

Reviews:

I had the good fortune to attend the Austin City Music Fest. Here is my recap of the first day.

Ray LaMontagne

Ray LaMontagne and his band looked like true Texans (or at least and HBO version) in their vests, and fedoras and heavy sprinkling of beards. They played a mellow set, with LaMontagne on acoustic guitar and raspy voice. While I enjoyed the bluesy-folksy set, and pedal steel makes me swoon, I’m not sure what all of the fuss is about – but the 20,000 people singing along clearly disagreed with me.

Kurt Vile and Violators

You can set your watch by the start times of the music at the Austin City Limits Festival. In the last five years I can only think of one time that the stage didn’t start exactly on time. With 130 bands and eight stages the production has to be a well-oiled machine. Kurt Vile and his crew started a few minutes late, giving the stage manager an incredulous look when told that all of the stages start on time. Vile bounded out, looked around for the rest of the band and went backstage to fetch them. Jet lag can be blamed – they were in Europe just two days ago.

After the faltering start the set was indie-stoner-rock at it’s best. Plenty of electric guitars – not a bass guitar in sight – distortion and hair, although I wouldn’t have minded a chorus or something.

Cold War Kids

I enjoyed the energy of the Cold War Kids after the heavy-liddedness of Kurt Vile. Their swagger juxtaposed with their sensitivity for some great fun and pop goodness. They seemed genuinely happy to be there and the crowd of thousands was thrilled to be singing and dancing along. 

Foster The People

Mark Foster, the person was in the hospital earlier today with bronchitis. You never would have guessed by his energy and sound. You’ll recognize their song, “Pumped Up Kicks,” even if you’ve never heard of the band. The clean-scrubbed LA based band has only been together since 2009. I loved how the cabinets for their keyboards and such looked like they’d been fabricated in their grandparent’s basement. The set was big clean fun.

Charles Bradley

I had the good fortune to have a telephone interview with Charles Bradley last year. His humbleness and lack of pretention was totally charming, but his answer to almost every question I posed was, “if I can’t help you, I sure ain’t gonna hurt you.” It took a tremendous amount of cajoling on my part to get his story. And a good story it is.

Bradley has earned his made-for-soul raspy voice the hard way. His music is very personal. His first-ever album, No Time for Dreaming, released last year, “ is based on true stories that I lived.”

Bradley opened with the heart-wrenching song, “Heartache and Pain,” the song about his brother’s death. In the interview Bradley told me that he puts his whole essence into this music, “If you’re watching me on stage sometimes I turn away, I’ve got to catch myself and let the lyrics out, because I’d be so full of emotion.”

He wasn’t joking. I’ve never seen such an expressive performance. The audience was re-living the day his brother died with him.

Although Bradley, 63, has been singing for years, this is the first time he’s been able to perform full-time. He was inspired by seeing James Brown at the Apollo Theater in 1964, when he was 16 years old. 

He eventually found a career in cooking, which took him Maine to Alaska, making California his home for decades. “Music and being a chef have been my whole life.” Bradley was able to squeeze in occasional music gigs and a little studio work along the and was ready to buy his first house.  “Then life hit me real hard.” He was laid off of his restaurant job after 17 years.

He started performing his James Brown routines under his alter ego “Black Velvet” when Gabriel Roth of Daptone records happened to catch his show and recognized Bradley’s raw talent.

Bradley kept telling the ACLF crowd, “I love you, I love you” And I believe him with my whole heart.

Sara Bareilles

I didn’t expect to be so totally charmed by Sara Bareilles, but I’m not even sure what I expected. I realized that I’d looped her in with the Indiana State Fair stage collapse. Bareilles had finished playing not long before the accident.

Bareilles is delightful and is a strong singer-songwriter-piano player with an intimate stage presence.

Coldplay

I was torn – Coldplay or Kanye? They were both playing just minutes apart on opposite sides of the 350 acre Zilker Park. And photo rules state that you can only shoot the first three songs of the set – except in the case of Kanye, where you could only shoot the second and third songs. I let laziness make the decision. The Coldplay stage is easier to fight the crowds to the photo pit.

Coldplay are the ultimate arena rockers. There set was fun and happy and professional – and not nearly as boring as that sounds. They’re comfortable in their own rocker skins and know how to put on a rocking good show. Well done, guys.